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Music Theory and Mathematics
Chords, Collections, and Transformations
Edited by Jack Douthett
Edited by Martha M. Hyde
Edited by Charles J. Smith


The essays in Music Theory and Mathematics: Chords, Collections, and Transformations define the state of mathematically oriented music theory at the beginning of the twenty-first century. The volume includes essays in diatonic set theory, transformation theory, and neo-Riemannian theory -- the newest and most exciting fields in music theory today.
The essays constitute a close-knit body of work -- a family in the sense of tracing their descent from a few key breakthroughs by John Clough, David Lewin, and Richard Cohn in the 1980s and 1990s. They are integrated by the ongoing dialogue they conduct with one another.
The editors are Jack Douthett, a mathematician and music theorist who collaborated extensively with Clough; Martha M. Hyde, a distinguished scholar of twentieth-century music; and Charles J. Smith, a specialist in tonal theory. The contributors are all prominent scholars, teaching at institutions such as Harvard, Yale, Indiana University, and the University at Buffalo. Six of them (Clampitt, Clough, Cohn, Douthett, Hook, and Smith) have received the Society for Music Theory's prestigious Publication Award, and one (Hyde) has received the ASCAP Deems Taylor Award. The collection includes the last paper written by Clough before his death, as well as the last paper written by David Lewin, an important music theorist also recently deceased.

Contributors: David Clampitt, John Clough, Richard Cohn, Jack Douthett, Nora Engebretsen, Julian Hook, Martha Hyde, Timothy Johnson, Jon Kochavi, David Lewin, Charles J. Smith, and Stephen Soderberg.

 

DETAILS

114 line illustrations

Size: 9 x 6 in
ISBN: 9781580462662
Binding: Hardback
First published: 01/Feb/2008
Price: 80.00 USD / 45.00 GBP Imprint: University of Rochester Press
Series: Eastman Studies in Music
Subject: Music

BIC class: AVH

STATUS: Available
Details updated on 03/02/2010
 
Contents
1   "Cardinality Equals variety for Chords" in well-Formed Scales, with a Note on the Twin Primes Conjecture
David Clampitt
2   Flip-Flop Circles and Their Groups
John Clough
3   Pitch-Time Analogies and Transformations in Bartók's Sonata for Two Pianos and Percussion
Richard Cohn
4   Filtered Point-Symmetry and Dynamical Voice-Leading
Jack Douthett
5   The "Over-Determined" Triad as a Source of Discord: Nascent groups and the Emergent Chromatic Tonality in Nineteenth-Century German Harmonic TheoryNineteenth-Century German Harmonic Theory
Nora Engebretsen
6   Signature Transformations
Julian Hook
7   Some Pedagogical Implications of Diatonic and Neo- Riemannian Theory
Timothy Johnson
8   A Parsimony Metric for Diatonic Sequences
Jonathan Kochavi
9   Transformational consideratins in Schoenberg's Opus 23, Number 3
David Lewin
10   Transformational Etudes: Basic Principles and Applications of Interval String Theory
Stephen Soderberg
 

Reviews
These essays, by leading American music theorists, continue the development of some of the most important research of the last twenty years into mathematical models of basic musical structures. These models are elegant in the abstract, but they are also shown to have many practical applications in explaining a wide range of art music. Several of the contributions are bound to be classics in this literature. --John Roeder, professor of music theory, University of British Columbia

Music Theory and Mathematics is a fitting memorial to John Clough, one of music theory's great pioneers. Clough was among the first scholars to introduce non-trivial mathematics into what has emerged as diatonic set theory or scale theory. This volume consists of essays by important theorists on a variety of topics ranging from scale and Riemannian theory to analysis of works by Bartók and Schoenberg. Building on Clough's research, Music Theory and Mathematics poses new questions and approaches to what are perhaps the most exciting directions in music theory today. -- Robert Morris, professor of composition, Eastman School of Music (University of Rochester)



 

 

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