`An excellent collection... breaks new ground in many areas. Should make a substantial impact on the discussion of the contemporary influence of Anglo-Saxon Culture'. Conor McCarthy, author of Seamus Heaney and the Medieval Imagination
Britain's pre-Conquest past and its culture continues to fascinate modern writers and artists. From Henry Sweet's Anglo-Saxon Reader to Seamus Heaney's Beowulf, and from high modernism to the musclebound heroes of comic book and Hollywood, Anglo-Saxon England has been a powerful and often unexpected source of inspiration, antagonism, and reflection. The essays here engage with the ways in which the Anglo-Saxons and their literature have been received, confronted, and re-envisioned in the modern imagination. They offer fresh insights on established figures, such as W.H. Auden, J.R.R. Tolkien, and David Jones, and on contemporary writers such as Geoffrey Hill, Peter Reading, P.D. James, and Heaney. They explore the interaction between text, image and landscape in medieval and modern books, the recasting of mythic figures such as Wayland Smith, and the metamorphosis of Beowulf into Grendel - as a novel and as grand opera. The early medieval emerges not simply as a site of nostalgia or anxiety in modern revisions, but instead provides a vital arena for creativity, pleasure, and artistic experiment.
Contributors: Bernard O'Donoghue, Chris Jones, Mark Atherton, Maria Artamonova, Anna Johnson, Clare A. Lees, Sian Echard, Catherine A.M. Clarke, Maria Sachiko Cecire, Allen J. Frantzen, John Halbrooks, Hannah J. Crawforth, Joshua Davies, Rebecca Anne Barr
[T]he editors are to be commended for producing a handsomely illustrated, rich collection. ENGLISH STUDIES
This rich collection of essays looks back to the influence of Anglo-Saxon culture in nineteenth-century and modernist writers, and explores a diverse range of more contemporary 'moments of intersection between past and present'. MEDIUM AEVUM
Have assembled a scholarly and unfailingly interesting foundation for a study of the impact of the Anglo-Saxon world on our own, as well as proving how much potential there is in the topic. ENGLISH HISTORICAL REVIEW
The book is physically beautiful, soundly edited, and intellectually stimulating from beginning to end. [...] Any medievalist who reads this volume will surely learn something new about the reception of Anglo- Saxon culture, be surprised by the extent of this reception, and get ideas for new research in this area. [...] It is an excellent book that will hopefully make a real intellectual and institutional impact. ANGLIA
The collection as a whole makes a powerful and often entertaining case for the myriad pathways by which the Anglo-Saxon past inhabits, enlivens and even transforms the cultural imagination of our present, such that we can see that it never stops informing us about what it means to "be English". TIMES HIGHER EDUCATION SUPPLEMENT