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Elias Canetti's Counter-Image of Society


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The award of the Nobel Prize for literature in 1981 has seemingly assured Elias Canetti's place in literary history. But his significance as a cultural critic has not been adequately recognized. The present study redresses this situation in two ways: by mapping the counter-image of human existence, history, and society that informs Canetti's critique of the modern world and its sciences; and by opening up Canetti's hermetic oeuvre by tracing his cryptic and often concealed dialogue with major figures within the Western tradition such as Hobbes, Durkheim, and Freud and contemporaries such as Adorno, Arendt, and Elias. The authors ask how Canetti's alternative vision of man and society relates to important themes of twentieth-century social and civilizational thought even as it calls into question fundamental assumptions of the social and human sciences. In analyses of Auto da Fé, Crowds and Power, and the aphorisms, the authors elucidate key aspects of Canetti's interrogation of human existencehuman history across five thematic complexes: individual and social psychology, totalitarian politics, religion and politics, theories of society, and power and culture. They thus trace the movement of Canetti's thought from an apocalyptic sense of crisis to his search for cultural resources to set against the holocaust of European civilization.
Johann P. Arnason teaches sociology at La Trobe University, Melbourne and David Roberts is Emeritus Professor of German at Monash University, Melbourne.


This work, rich in detail and analysis, not only places Canetti's thought in its socio-cultural context but also opens interesting perspectives to better understand the "homo religiosus" who was also Canetti. ETUDES GERMANIQUES


First Published: 23 Feb 2004
13 Digit ISBN: 9781571131607
Pages: 174
Size: 9 x 6
Binding: Hardback
Imprint: Camden House
BIC Class: DSB

Details updated on 05 Oct 2015


  • 1  Introduction
  • 2  The Auto-da-Fe of Civilization
  • 3  The Natural History of Modernity
  • 4  Religion, Crowds, and Power
  • 5  Canetti's Counter-Image of Society
  • 6  The Subversive Sources of Power
  • 7  Notes
  • 8  Works Cited
  • 9  Index