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Cristóbal de Morales

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Cristóbal de Morales was the most famous Spanish composer of the mid sixteenth century. His music was known internationally during his lifetime. He was eulogized by contemporary writers, and his fame and influence remained significant in the seventeenth century: sixty years after his death, he was still regarded as one of the finest composers of sacred polyphony. His repertory includes over twenty Masses and a very large number of motets and works in other sacred genres.

This wide-ranging volume examines numerous aspects of the composer's works, and the Spanish and other contexts within which they were composed and received. Topics covered include sources, newly uncovered works and issues of authorship, musical traditions in Spain and elsewhere, the transmission and reception of Morales's music in Spain, Northern Europe and the New World, patterns of influence and emulation involving Morales and other composers, and modern perceptions of Morales and his music. The book also provides the first comprehensive published list of the composer's works and their sources.

OWEN REES is Reader in the Faculty of Music at the University of Oxford; BERNADETTE NELSON is affiliated to Wolfson College at the University of Oxford.

Contributors: CRISTLE COLLINS JUDD, MARTIN HAM, TESS KNIGHTON, KENNETH KREITNER, ALISON SANDERS MCFARLAND, MICHAEL NOONE, BERNADETTE NELSON, OWEN REES, STEPHEN RICE, EMILIO ROS-FABREGAS, GRAEME SKINNER, ROBERT STEVENSON, CRISTINA URCHEGUIA, GRAYSON WAGSTAFF

Reviews

Exceptionally thought-provoking and comprehensive...providing new information and insights, while demonstrating genuine love and respect for their subject...This collection of essays marks something of a watershed in Morales scholarship. EARLY MUSIC
A welcome assessment of Morales scholarship today. This is a collection that deserves a place on the bookshelf of every scholar of Renaissance music and it is indispensable for specialists in the music of Spain and the Spanish Americas.[...]It is the best starting point for the much-needed work that remains to be done on this important Spanish composer. RENAISSANCE QUARTERLY
This excellent new volume...is a wide-ranging anthology...it includes all the leading scholars in the field. MUSICAL TIMES [Peter Phillips]
A significant achievement [providing] a much needed impetus for the revision of this figure and his music...a required purchase for all serious libraries. MUSIC & LETTERS

Details

First Published: 19 Jul 2007
13 Digit ISBN: 9781843833116
Pages: 478
Size: 23.4 x 15.6
Binding: Hardback
Imprint: Boydell Press
Series: Studies in Medieval and Renaissance Music
Subject: Music
BIC Class: AV

Details updated on 02 Sep 2010

Contents

  • 1  Landmark Contributions to Cristóbal de Morales Scholarship
  • 2  The Nuevo rezado, Music Scribes, and the Restoration of Morales's Toledo Lamentation
  • 4  Two Early Morales Magnificat Settings
  • 5  Morales, Spanish Traditions, Liturgical Works, and the Problem of Style
  • 6  Morales' Contribution to the Pange lingua Tradition and an Anonymous Tantum ergo
  • 7  Another Look at Polyphonic Borrowing: Morales, the Missa Quem dicunt homines, and the Missa Vulnerasti cor meum
  • 8  Multi-layered Models: Compositional Approaches in the 1540s to Si bona suscepimus
  • 9  Multiple Layers of Borrowing in Sancta Maria Motets by Morales and his Contemporaries
  • 10  Morales in Print: Distribution and Ownership in Renaissance Spain
  • 11  Morales at the Periphery: Dissemination of Motets in France, Germany, and the Low Countries
  • 12  Morales's Voice in the Viceroyalties
  • 13  Cristóbal de Morales: A Problem of Musical Mysticism and National Identity in the Historiography of the Renaissance
  • 14  Editing Cristóbal de Morales's Masses Today
  • 15  Morales: The Canon



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