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Studies in Medievalism XVIII

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This latest volume of Studies in Medievalism further explores definitions of the field, complementing its landmark predecessor. In its first section, essays by seven leading medievalists seeks to determine precisely how to characterize the subjects of study, their relationship to new and related fields, such as neomedievalism, and their relevance to the middle ages, whose definition is itself a matter of debate. Their observations and conclusions are then tested in the articles second part of the book. Their topics include the notion of progress over the last eighty or ninety years in our perception of the middle ages; medievalism in Gustave Doré's mid-nineteenth-century engravings of the Divine Comedy; the role of music in Peter Jackson's Lord of the Rings films; cinematic representations of the Holy Grail; the medieval courtly love tradition in Jeanette Winterson's The Passion and The.Powerbook; Eleanor of Aquitaine in twentieth-century histories; modern updates of the Seven Deadly Sins; and Victorian spins on Jacques de Voragine's Golden Legend.

CONTRIBUTORS: Carla A. Arnell, Aida Audeh, Jane Chance, Pamela Clements, Alain Corbellari, Roberta Davidson, Michael Evans, Nickolas Haydock, Carol Jamison, Stephen Meyer, E. L. Risden, Carol L. Robinson, Clare A. Simmons, Richard Utz, Veronica Ortenberg West-Harling

Details

First Published: 19 Nov 2009
13 Digit ISBN: 9781843842101
Pages: 306
Size: 23.4 x 15.6
Binding: Hardback
Imprint: D.S.Brewer
Series: Studies in Medievalism
Subject: Medieval Literature
BIC Class: DSBB

Details updated on 02 Sep 2010

Contents

  • 1  Editorial Note
  • 2  Medievalism as Fun and Games
  • 3  Medievalism and Excluded Middles
  • 4  Medievalitas Fugit: Medievalism and Temporality
  • 5  Medievalists, Medievalism and Medievalismists: The Middle Ages, Protean Thinking, and the Opportunistic Teacher-Scholar
  • 6  Living with Neomedievalism
  • 8  Tough Love: Teaching the New Medievalisms
  • 9  Is Medievalism Reactionary From between the World Wars to the Twenty-First Century: On the Notion of Progress in our Perception of the Middle Ages
  • 10  Gustave Doré's illustrations for Dante's Divine Comedy: Innovation, Influence, and Reception
  • 11  Soundscapes of Middle Earth: The Question of Medievalist Music in Peter Jackson's Lord of the Rings Films
  • 12  Now You Don't See It, Now You Do: Recognizing the Grail as the Grail
  • 13  From the Middle Ages to the Internet Age: The Medieval Courtly Love Tradition in Jeanette Winterson's The Passion and The.Powerbook
  • 14  New Golden Legends: Golden Saints of the Nineteenth Century
  • 15  A Remarkable Woman? Popular Historians and the Image of Eleanor of Aquitaine
  • 16  The New Seven Deadly Sins